霓光裂縫 II:裂縫之內 Neon Rift II: Within the Rift  1
霓光裂縫 II:裂縫之內 Neon Rift II: Within the Rift  2
霓光裂縫 II:裂縫之內 Neon Rift II: Within the Rift  3
原作

霓光裂縫 II:裂縫之內 Neon Rift II: Within the Rift

年份
2026
尺寸
35.50*45.00 cm
媒材
油畫
畫框
含畫框
保證書
含保證書
NT $18,800
19 views1 saved to collection

描述

延續第一件作品打開的入口,將視線帶入裂縫後方的內部世界。 如果《霓光裂縫》是裂縫被打開的瞬間,那麼這件作品便是進入之後所看見的景象。畫面中的粉紅、亮黃、湖水藍、螢光綠與深藍彼此推擠、旋轉、擴散,像數位碎片、霓光殘影與異星花園同時生長。空間不再只是被撕開,而是在裂縫之內持續繁殖、閃動與重組。 這件作品將 Y2K 的人工感與電子感,轉化為油彩的厚度、肌理與流動。觀看時,觀者彷彿不再站在入口前,而是已經進入一個失去現實座標的閃爍場域。那些細碎而飽滿的色彩,像正在生成的生命體,也像內在感官被放大後的風景。 這是系列的第二步: 穿越裂縫,進入一個正在生長的霓光維度。

藝術家介紹

我的創作是在畫布上雕塑空間。 I sculpt space on canvas.
在創作過程中,透過油彩的堆疊、刮板的推移與顏料的覆蓋,使色彩之間逐漸形成縫隙與層次。這些筆觸與顏料留下的痕跡,會慢慢打開畫面的深度,使原本平面的畫布產生方向與空間感。對我而言,繪畫並不只是描繪世界,而是一種在畫布上建構空間的過程。
創作時很少預先設定完整的構圖,而是跟隨視覺與直覺的流動,讓畫面在不斷調整與回應中逐漸形成自己的結構與共鳴。顏色的碰撞、延展與斷裂,如同在畫布上雕刻出新的空間,使觀看者在畫面中感受到一種可以被進入與探索的場域。

I sculpt space on canvas.

In my creative process, I build up layers of oil paint, push and move the surface with a palette knife, and allow pigments to cover, collide, and overlap with one another. Through this process, gaps and layers gradually emerge between colors. The traces left by each stroke and each movement of paint slowly open up depth within the image, allowing the originally flat canvas to develop a sense of direction and spatial presence.

Painting, to me, is not merely a way of depicting the world, but a process of constructing space on the canvas.

When I create, I rarely begin with a fully predetermined composition. Instead, I follow the flow of vision and intuition, allowing the work to gradually form its own structure and resonance through constant adjustment and response. The collision, extension, and rupture of colors become a way of carving out new spaces on the canvas, inviting viewers to sense a field that can be entered, explored, and experienced.