痕跡系列 香皂 III / lines on soap III

每單件大小為21x30cm，四件為一組作品。描繪香皂各種型態半抽象的樣子，以線條為表現，將水墨中線條元素放大，運用香皂的幾何形狀、重現時間消融而去的空間，靜置與動態的雙重狀態。慢慢繪製的細線條，或是水分流動的線條，表現香皂表面的各種極細微摩擦凹線，以及擦拭香皂過程的速度感、力道，以及水滯留其上的部分溶解、逝去的形狀等等。四聯作傳遞一種生活的步調，來自清潔、洗滌，與物品親密或是用力的種種關係，其實表現了生命的成長與變化，透過記憶、痕跡作為人定義、回顧自己的種種線索。此系列也運用了中國水墨中留白、暈染、線條自身美感的變化作為主要敘述力，寄情於物，模糊了物質與使用者之間的關係，並再次重新詮釋虛空與實體之間的定義。 The size of each piece is 21x30cm, and four pieces are a set of works. Depicting the semi-abstract appearance of various types of soap, using lines as expressions, amplifying the line elements in ink and using the geometric shapes of the soap to recreate the space where time has disappeared, the dual states of stillness and movement. The thin lines drawn slowly, or the lines of water flow, express the various extremely fine friction grooves on the surface of the soap, as well as the speed and strength of the process of wiping the soap, as well as the dissolved and lost shapes of the parts where the water stays on it, etc. . The quadruple work conveys a kind of pace of life, which comes from cleaning, washing, various relationships with objects or exerting force. In fact, it expresses the growth and changes of life, and uses memories and traces as clues for people to define and review themselves. This series also uses the changes in the beauty of white space, smudges, and lines in Chinese ink as the main narrative force, placing affection on objects, blurring the relationship between objects and users, and once again reinterpreting the definition between void and entity.