纏繞 twining

繪畫作品從個人生命經驗出發，討論生長史對潛意識的影響程度，在繪畫之中充斥著各式各樣的奇觀災難場景，敘述著當代氾濫的擬像已成為廉價的感受，充斥著真實與虛假，並長期關注繪畫再現、寫生之間的矛盾關係，每一次的寫生與再現，就是一次的複製與失準，保留了一些又捨棄了一些，感知的主客體總處於永恆的擴張與更迭的狀態，不斷地在創作過程中解構自己的繪畫，融合了極度現實與超現實，主題經常取材與於社會真實事件或新聞，卻用甜蜜瑰麗奇幻的表現方式，塑造出另一個次元的世界如美國文學家娥蘇拉·勒勒瑰恩所說的「唯有寂靜之中，話語發光;唯有在 黑暗中，光亮發光;唯有在死亡中，生命發光，猶如一片虛無的天空，照亮了老鷹的飛翔」 。 。 Shih Lun Huang Born at Yilan, Taiwan in 1989 and graduated with MFA from Graduation School of Fine Arts, Department of Arts and Design, College of Arts, National Tsing Hua University National in 2014. Currently live and work at Taipei, Taiwan. Huang’s paintings are inspired by his personal life experiences and mainly discuss affection and impact that one’s growth history would bring to his/her sub-consciousness. In his paintings, which largely depict all kinds of spectacular or catastrophic scenes, the artist describes that the overly abused simulacres in contemporary era already becomes such a cheap perception, in which truth and false are often interwoven with each other. He has been focusing on the contradictory relation between reproduction of painting and life drawing. Each life drawing and reproduction always refers to another duplication and misalignment. Some parts are preserved while other parts are discarded. Subject and object of perception are always in the status of eternally expansion and alternation, where the artist constantly deconstructs himself during creational process. “Only in silence the word, Only in dark the light, Only in dying life: Bright the hawk's flight On the empty sky. —The Creation of Éa” ― Ursula K. Le Guin