凋零的線條 Withered Lines

三件為一作品，每件大小為21x30cm。三件作品以水彩、白色顏料、白油墨筆交替描繪枯萎、乾燥的落葉和樹枝，繪製在反金屬光澤的珠光紙質上。細緻的線條作為主要表現，紋路、葉脈、肌理構成，使沒有實際著色的輪廓幾乎有了骨肉，運用中國水墨技法與美學，形象在虛、實間交替，以意念般完成，類似文字線條的組成，『概念』與『平面』相互結合，展現極簡的美感。凋零的線條是主題，形體只是支撐主題的架構，線條俐落且明確，好似凋零的物質更顯現出永恆的生命與精神。 Three pieces constitute one work, each piece is 21x30cm in size. The three works use watercolor, white paint, and white ink pens to alternately depict withered and dry fallen leaves and branches, and are painted on anti-metallic pearlescent paper. Delicate lines are used as the main expression, and the texture, veins and texture make the outline without actual coloring almost have flesh and blood. Using Chinese ink painting techniques and aesthetics, the image alternates between virtual and real, and is completed with an idea, similar to the composition of text lines. , "Concept" and "Plane" are combined to show a minimalist aesthetic. The fading lines are the theme, and the form is just the structure that supports the theme. The lines are neat and clear, as if the fading material reveals eternal life and spirit.