燈光的痕跡 Traces of Light

三件為一組作品，分別大小為20x15cm、22x20cm、22x30cm。三件作品描繪室內的燈光，分別在白天時候描繪開燈的狀態、晚上的小燈模式、以及同時照進陽光和開燈的樣子。以素描鉛筆繪製在具亮光膜的厚紙上，由於紙質本身就會反射光線，特別利用此特性反覆擦拭鉛筆，留下極少的痕跡，甚至只保留鉛筆壓在紙上的痕跡，再利用橡皮擦摩擦亮光膜後失去反射的特性，刻意製造反射、不反射的紙質狀態，宛如雕塑一般塑造三件描繪光線的作品。雖是運用素描作為工具，三件作品透過留下極少的描繪、極多的擦拭，細微變化與層次相當多，也透過看不清燈具實際的樣貌，好似強光直射眼睛那樣刺眼不清的狀態。以燈光做主題，傳遞日常生活中總是存在的燈具，基於功能被使用，卻是最不常去看它的物件。然而它發出的光芒卻是如此重要，提供足夠的光源和安全感，也提醒我們所不在意的重要事物，不是理所當然，更是攜帶了情感與意義的載具。 The three pieces are a set of works, with sizes of 20x15cm, 22x20cm and 22x30cm respectively. The three works depict indoor lights, depicting the state of turning on the lights during the day, the small light mode at night, and the appearance of sunlight and lights on at the same time. Draw with a sketch pencil on thick paper with a glossy film. Since the paper itself will reflect light, this characteristic is specially used to wipe the pencil repeatedly, leaving very few traces, or even only the trace of the pencil pressing on the paper, and then reuse it. The eraser loses its reflective properties after rubbing the glossy film, and deliberately creates a reflective and non-reflective paper state, shaping three works depicting light like sculptures. Although sketching is used as a tool, the three works leave very few descriptions and a lot of wiping, and there are quite a lot of subtle changes and layers. Also, the actual appearance of the lamps cannot be seen clearly, and they are as dazzling as bright lights shining directly into the eyes. Unclear state. Using light as the theme, it conveys that lamps are always present in daily life. They are used based on their functions, but they are the objects that are least often seen. However, the light it emits is so important. It provides sufficient light source and sense of security, and also reminds us that important things that we don’t care about are not taken for granted, but are also carriers of emotion and meaning.