Dhampir Room 半吸血鬼的房間

“在「半吸血鬼的房間」裡，我徘徊在2個世代與2個故鄉中，尋找著歸屬感。” 作品靈感來自電影「吸血鬼獵人D：血慾」，我從電影中感受到一絲靜謐中尋找歸屬感的詩意。 作品中，不同層次的紅色調映照出舊時代的餘輝和新時代的霓虹。誤入房間的布偶，如同無從選擇突然誕生於此的我一樣，被夾雜在2個故鄉與2個時代之中生存。布偶身上黯淡的色彩，正是環境對其無聲的同化。「半吸血鬼的房間」的標題，隱喻著我在2個時代、2個故鄉之間的獨特身份。 我用飽滿的顔色點綴出高光，刻劃出金屬的冰冷與古典的氣息，以此為背景襯托出布偶在環境中的掙扎與轉變。這件作品對我來說不僅是視覺技巧的展現，更是對自我身份與時代連結的探索。 "In Dhampir Room, I seek a sense of belonging between two generations and two hometowns." The work is inspired by the film Vampire Hunter D: Bloodlust. From it, I drew a poetic sense of searching for belonging within tranquility. Within the piece, various shades of red reflect the fading embers of an old era and the vibrant neon of a new one. The puppet, having stumbled into the room, is like myself, born without a choice into a life caught between two hometowns and two ages. His faded colors are the silent assimilation imposed by its surroundings. The title, "Dhampir Room," is a metaphor for my unique identity, caught wandering between these two eras and two homes. I use saturated colors to add highlights, rendering the coldness of metal and the elegance of classical styles. This background serves to highlight the puppet's struggle and transformation within its environment. This work is not merely a display of visual technique, but also an exploration of my identity and its connection to our time.