龜山之夜 1
原作

龜山之夜

年份
2022
尺寸
151.00*45.00 cm
風格
-
媒材
油畫
畫框
含畫框
保證書
含保證書
NT $110,000
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描述

本次系列皆來自於陽明山駐村後的經驗,體驗過山中空氣的濕潤,森林的光影變化以及硫磺的氣味,不如歸去山林的想法持續出現,回溯自己兒時的童年經驗本就在山林中渡過,爾後皆影響著自己的創作,在每日爬山的過程中想起薛西弗斯推石頭上山的過程,回頭檢視自己的創作,也是不斷的堆疊不斷的嘗試,這個古老的神話始終投射在我們的生命之中,成為人生的課題,而創作對筆者而言就是那顆巨石不斷不斷的往上推動。 黃士綸的作品本身,正是帶有這種不斷解構後又再結構的產物,在色彩、肌理乃至於構圖上,都與客體本身的再現維持著一定的距離,但卻又一再地去接近它。事實上這樣的距離維持是必然的,每一次對客體的寫生與再現所生成的作品結構,就是一次新的解構,都僅僅是一部分的記載,同時又流失了一部分,就有如石頭、礦物與山,其實只是組成的方法的差異而已。黃士綸的藝術,正是產生於這得失之間所生成的永恆,這種永恆是動態的、是鐘擺的、是薛西弗斯式的
黃士綸
黃士綸

2022

臺灣 |

藝術家介紹

黃士綸 1989出生於台灣宜蘭,2014年畢業於國立新竹教育大學 (現為國立清華大學)藝術與設計學系藝術創作研究所,現就讀台北藝術大學藝術創作研究所,目前工作與生活於台灣台北。 繪畫作品從個人生命經驗出發,討論生長史對潛意識的影響程度,在繪畫之中充斥著各式各樣的奇觀災難場景,敘述著當代氾濫的擬像已成為廉價的感受,充斥著真實與虛假,並長期關注繪畫再現、寫生之間的矛盾關係,每一次的寫生與再現,就是一次的複製與失準,保留了一些又捨棄了一些,感知的主客體總處於永恆的擴張與更迭的狀態,不斷地在創作過程中解構自己的繪畫,融合了極度現實與超現實,主題經常取材與於社會真實事件或新聞,卻用甜蜜瑰麗奇幻的表現方式,塑造出另一個次元的世界。 。 Shih Lun Huang Born at Yilan, Taiwan in 1989 and graduated with MFA from Graduation School of Fine Arts, Department of Arts and Design, College of Arts, Hsinchu University of Education (National Tsing Hua University National) in 2014. Currently live and work at Taipei, Taiwan. Huang’s paintings are inspired by his personal life experiences and mainly discuss affection and impact that one’s growth history would bring to his/her sub-consciousness. In his paintings, which largely depict all kinds of spectacular or catastrophic scenes, the artist describes that the overly abused simulacres in contemporary era already becomes such a cheap perception, in which truth and false are often interwoven with each other. He has been focusing on the contradictory relation between reproduction of painting and life drawing. Each life drawing and reproduction always refers to another duplication and misalignment. Some parts are preserved while other parts are discarded. Subject and object of perception are always in the status of eternally expansion and alternation, where the artist constantly deconstructs himself during creationprocessal .